Do you know about - The point of Fine Arts in the Classroom
Utah Physical Therapy! Again, for I know. Ready to share new things that are useful. You and your friends.Fine Arts is defined in the Encarta Dictionary as being, “any art form, for example, painting, sculpture, architecture, drawing, or engraving, that is carefully to have purely aesthetic value” (Encarta, 2004). Though this definition is used in connection with the arts in the quarterly world, in regards to teaching, fine arts is defined as a field beneficial, not essential, to the learning process and is often phased out because of lack of time, puny learning potential, and no money. Fine arts is naturally seen as painting and drawing, not a field studied by an scholastic scholar. Writer Victoria Jacobs explains, “Arts in elementary schools have often been separated from the core curriculum and instead, offered as enrichment activities that are carefully beneficial but not essential” (Jacobs, 1999, p. 2).
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What is missing in classrooms is the lack of teacher knowledge of the benefits of maintaining an art- based curriculum. Teachers “have very puny comprehension of the arts as disciplines of study. They think of the arts study as teacher-oriented projects used to entertain or teach other disciplines” (Berghoff, 2003, p. 12). Fine arts enlarge the boundaries of learning for the students and encourage creative mental and a deeper comprehension of the core subjects, which are language arts, math, science, and public studies. Teachers need to combine all genres of fine arts, which include, theater, optical art, dance, and music, into their part plans because the arts gives the students motivational tools to unlock a deeper comprehension of their education. Teaching the arts is the most qualified tool that teachers can present in their classrooms because this enables the students to accomplish their top level of learning.
From 1977 to 1988 there were only three preponderant reports demonstrating the benefits of art education. These three reports are arrival to Our Senses, by the Arts, study and Americans Panal (1977), Can we saving the Arts for American Children, sponsored by the American Council for the Arts (1988), and the most respected study, Toward Civilization, by the National Endowment for the Arts (1988). These three studies conjured that art study was very leading in achieving a higher study for our students. While these studies proved the arts to be beneficial to the learning process, it was not until 2002 when the investigate prognosis of indispensable Links: learning in the Arts and student scholastic and public improvement “provided evidence for improving learning and achievement as well as positive public outcomes when the arts were integral to students’ learning experiences” was taken seriously by lawmakers (Burns, 2003, p. 5). One study, in this analysis, was focused on the teaching of keyboard training to a classroom in order to see if student’s scores on spatial mental could be improved. It was then compared to those students who received computer training which complicated no fine art components. This ended that learning through the arts did enhance the scores on other core curriculum subjects such as math and science where spatial mental is most used (Swan-Hudkins, 2003).
This study shows how one puny change in the way students are taught through the arts can have a qualified impact on their learning achievements and understandings. Another study showed at-risk students who, for one year, participated in an art- based curriculum raised their standardized language arts test by an median of eight percentile points, 16 percentile points if enrolled for two years. Students not piquant in this form of performance did not show a change of percentile (Swan-Hudkins, 2003). Though this may not seem like a big increase, at- risk students were able to use this style of learning to great understand their learning style thus bettering their learning patterns. The most piquant case study in this prognosis complicated the schools of Sampson, North Carolina, where for two years in a row their standardized test scores rose only in the schools that implemented the arts study in their school district (Swan-Hudkins, 2003). Teaching the arts needs to be incorporated in every teachers daily part plans because, based on these studies, students who are taught through the arts raise their test and learning levels.
Due to the high volume of concentration President Bush’s, No Child Left Behind Act, has required in schools, teaching the arts is left behind. Another surmise for the lack of arts in the classroom author Victoria Jacobs explains, “Given the shrinking budgets of school districts nearby the country, art specialists and art programs have disappeared from many elementary schools” (Jacobs, 1999, p. 4). Fine arts are being seen as non-educational or an extra-curricular activity. Therefore, when there is a lack of money in school districts, this field is easily being cut. Teachers need to find a way to combine the arts into the classroom rather than rely on face activities and Jacobs suggests teaching “through the arts… with a means of using the arts successfully and in a way that it is not just “one more thing” they must comprise in the curriculum” (Jacobs, 1999, p. 4).
The arts can open the minds of students in ways mere reading and writing will never be able to accomplish. Yet, the point of teaching this field is not to teach about the arts, but to teach through the arts. Jacobs explains,
Teaching though the arts requires students to engage in the act of creative art. For example they might draw a picture, write a poem, act in a drama, or construct music to supplementary their comprehension of concepts in content areas other than the arts. Teaching through the arts helps students touch concepts rather than naturally discussing or reading them. This approach is consistent with educational theories that feature the point of reaching multiple learning styles or intelligences. (Jacobs, 1999, p. 2)
Teaching through the arts can be done in many separate ways depending on the teacher’s interests, but truly is the only way to reinforce the students learning experience. In a time where allocation cuts and new learning laws are being established, teachers need to be more informed and educated on the negative impacts of the loss of the fine arts programs.
Three, veteran teachers at a public elementary school did a case study which complicated teaching through the arts. They believed “our students had to touch cycles of inquiry wherein they learned about the arts and through the arts, and that they needed to see teachers of separate disciplines collaborate” (Berghoff, 2003, p. 2).
The study was based on teaching a history part unit on relaxation and Slavery through the arts. Ms. Bixler-Borgmann had her students listen to the song “Swing Low, Sweet Chariot” in many separate styles of music, such as an African-American Quartet, Reggae, and Show Tunes. She then incorporated this part into the point singing played to the slaves at that time. Ms. Berghoff had her students read samples of African-American folk literature and write down sentences that made an impact on them while they were reading. She then incorporated those sentences into group poems. Ms. Parr explored two art pieces entitled, “Swing Low, Sweet Chariot” and had the students talk about artwork by asking three questions: "What is going on in this picture? What do you see that makes you say that? What else can you find?” (Berghoff, 2003). She also had the students focus on the images, concepts, and meanings which the artists wanted to depict. Ms. Parr felt this would teach the students how to locate the underground meanings in other core curriculum subjects (Berghoff, 2003). After the study, the students were asked what and how they had learned from this style of teaching.
Many students wrote in their journals that working in multiple sign systems in parallel ways heightened their emotional involvement. They found themselves mental about what they were learning in class when they were at home or at work. They noted that even though they had studied slavery at other times, they had never easily imagined how it felt to be a slave or understanding about the slaves' perspectives and struggles. (Berghoff, 2003)
The students had learned more from this part because they were able to use all styles of learning and were taught from an angle which is rarely used, through the arts. “Studies indicate that a successful arts integrated schedule will use these components to guide student learning and assess growth and improvement (Swan-Hudkins, 2003). The students were able to learn based on abstract mental and find the deeper meaning of the lessons ready by the teachers.
“The study of the arts has the potential for providing other benefits traditionally connected with arts….arts has been connected to students’ increased indispensable and creative mental skills, self-esteem, willingness to take risks, and capability to work with others” (Jacobs, 1999, p. 4). With these benefits, teachers can not afford to limit their teaching of the arts in the classroom. Teaching through the arts are the key elements of learning and the traits teachers strive to construct and reinforce in their students. By working through the arts, instead of about the arts, the students’ educational touch will be achieved in a separate way than just teaching the proper style of learning. Old Governor of California, Gray Davis, noted, “Art study helps students construct creativity, self-expression, analytical skills, discipline, cross-cultural understandings, and a heightened appreciation for the arts” and that “students who construct artistic expression and creative qoute solving skills are more like to corollary in school and will be great ready for the jobs and careers of the future” (California Art Study, 2003, p. 1).
Exposing students to abstract learning will teach the students about logic and mental and help them grasp what might not be represented on the surface. new Reports from the National Art study connection (Naea) confirmed with Governor Davis when they reported “Students in art study score higher on both their Verbal and Math Sat tests than those who are not enrolled in arts courses (California Art Study, 2003, p. 5). Attached is a copy of the test scores of students in the arts and students with no arts coursework.
What is a great way to enhance a part plan than to add Another size of learning than by incorporating separate levels of teaching? A enterprise that has the basis of focusing on separate learning styles is Links for Learning, [http://www.links-for-learning.com]. This enterprise understands the point of incorporating arts into the classroom. Old Secretary of Education, William Bennet wrote, “The arts are indispensable elements of study just like reading, writing, and arithmetic…Music, dance, painting, and theater are keys to unlock profound human comprehension and accomplishment” (Swann-Hudkins, 2002).
An example of the benefits of teaching the arts would be the study of a teacher who taught the water cycle part through movement and music. The students were introduced to the water cycle in the original style of teaching, reading and lecturing. Yet, in order for the students to fully understand the “experience” of being a snowflake, the students listened to Tchaikovsky’s Nutcracker Suite (The Waltz of the Snowflakes) and ended their eyes visualizing the adventure snowflakes encounter on there way to the ground. A great side corollary of dance is that “exposure to dances foreign to them (the students) helps them to understand and appreciate differences in societies. Their minds become open to new ideas and a separate perspective. This comprehension helps to eliminate potential prejudice, enriching the student and our society” (Swan-Hudkins, 2003, p.17). While the music was playing the teacher asked them questions, such as, “How are they going to land” and “What do you see as you are falling”. The second time listening to the music the students were asked to act out the water cycle through movement and dance. Teachers should know “a class that includes dance can make students feel empowered and actively complicated in their education. In creating their own dance, students construct conceptional thinking, which is not always expressed verbally” (Swan-Hudkins, 2003, p. 17).
With these activities, the students were able to become part of the water cycle instead of just using their listening skills and trying to mentally outline out this lesson. The teacher also had the students write a poem using words they felt while they, the snowflakes, were falling to the ground (Jacobs, 1999, p.2). “The motivational powers of the arts are indispensable as this teacher explained, “Hooking a kid is half, if not more than half, the battle of learning. If you can hook them, then you can get them to learn” (Jacobs, 1999, p. 6). Teachers need to gain access to all styles of learning which can only spark their motivational powers.
Harvard task Researchers Winner and Hetland remarks, “The best hope for the arts in our school is to construe them by what they can do that other subjects can’t do as well” (Swan-Hudkins, 2003, p. 18). Teachers need to gain a great study of teaching their students through the arts. Without the arts, teachers are limiting their students’ capability to use their entire mental process, providing less chance for faultless comprehension. Teaching through the arts is the most qualified tool that teachers can give in their classrooms because it enables the students to accomplish their top level of learning.
With the lack of concentration art is getting face of the classroom, teachers cannot afford not to combine dance, theater, optical arts, or music in their part plans. Fine arts is the core curriculums constant and most leading companion. No child should be left behind, and teaching through the arts will reinforce this idea.
Resources
Berghoff, B., Bixler-Borgmann, C., and Parr, C. (2003). Cycles of Inquiry with the Arts. Urbana, 17, 1-17.
Burns, M. (2003). Connecting Arts study policy and investigate to Classroom Teaching. Presented at The each year Meeting of the American Educational investigate Association. Chicago, Il.
California Art Study. (2003). Retrieved on April 18 from [http://216.239.57.104/search?q=cache:Im_j8A3_whsJ:www.smc.edu/madison/about/draft_eir/appendix_f_purpose.pdf+benefits+California+art+study&hl=en&ie=Utf-8]
Encarta Online Dictionary. (2004). Retrieved on April 17 from http://encarta.msn.com/dictionary_/fine%20arts.html
Jacobs, V. And Goldberg, M. (1999). Teaching Core Curriculum content through the Arts. each year Meeting of the American Educational investigate Association. Ontario, Canada.
Swan-Hudkins, B. (2002). The corollary of an Elementary Fine Arts schedule on Students’. M.A.Thesis. Salem International University. Salem, West Virginia.
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